Essays

Consists of Bartlett’s written histories of feminist organizations in Duluth and Superior that were not included in her book Making Waves (2016) and recorded interviews with women who played key roles in organizations that are included in the book.

The collection contains correspondence, reference materials, speeches, news clippings, publications and photos.

The collection consists of Committee meeting agendas, minutes, and financial statements; a limited amount of correspondence and publications; educational materials, student reaction papers to classroom presentations on the lynchings and racism, and scholarship essays; and Heidi Bakk-Hansen's notes for her Ripsaw article.

The bulk of this collection consists of programs. The collection also includes by-laws, invitations, and an essay on the history of the club.

The collection consists of a manuscript titled "75 Years Later." It describes Ms. Hugo's final months in the Hugo family home in 1957 and her attempt to clear the house of 75 years of family possessions. The essay uses these possessions to recount a family history.

The collection contains personal and financial correspondence, letterpress books, scrapbooks, newspaper clippings, manuscripts written about local and family history, financial records, legal papers, maps, photographs, one audio cassette of an interview, and reference materials.

The collection contains: rules and regulations; membership and mushers; contracts; board meeting minutes; financial information; correspondence; 1978 St. Paul Winter Carnival finances; races and race schedules; essays on ISDRA sanctioning, Timing, The History of Racing, Winter is for the Dogs, Trails in the Future, Interval Training, Mush (Rolling Stone article March 1984); newspaper clippings 1973–1983; and publications.

The collection contains materials related to the COVID-19 pandemic as it was experienced in Northeastern Minnesota.

The collection consists primarily of correspondence written by four of Peter Tilderquist’s children: Alice Minnie (Tilderquist) Gibson; Eva Tilderquist; Anna Lavinia (Tilderquist) Anderson; and David Tilderquist. The collection also contains personal papers and estate papers.

The collection consists of minutes, correspondence, financial records, membership files, personnel records, records documenting the development of special programs and classes, survey of social service agencies and membership, publicity, news paper clippings, newsletters, and essays.

The collection contains recollection of dreams, poetry, drawings, annotations of Waldo Frank’s “The Jew in Our Day”; correspondence (1935-1958) with artist Knute Heldner and his wife Colette; and published materials and newspaper clippings on Heldner.